Ree
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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彭妮·伍库克
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NasagreestoashamengagementtoNav,whoisalsointhecloset,butashockrevelationathomeleavesherquestioningeverything.Fallinggradespromptdrasticactioncausinguproar.
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AseeminglytrivialcaseofasmallcarpentrybusinessthathasgonebankruptundermysteriouscircumstancesgetsMads'attention.ClaudiaisreleasedafteroneandahalfyearsinprisonbuthersonisinParisandtheonlyworkshecanfindisatacoffeeshop.ButthenshegetsavisitfromEnergreen'soldchairman,Mr.Christensen.NickyandBimsestillhastheautorepair...
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J·Pinder
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Cartermustprovetohismomthathecanpayrentorhe'soutonthestreet.Butwhenhisbossdumpsalistofimpossibletasksonhim,hisfortitude,character,andaversiontowise-crackingteensistestedinthiscoming-of-agecomedy.
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Wyatt,acynicalnarcolepticwholivesinaflophouse-likeapartment,wantstobeajournalist.HiscareerdreamsarenearlydashedwhenhenoticesamysteriousgirlnamedFernlivingonhisblockinan88ToyotaTercelhatchback.FernsfatherwentmissingandassumeddeadwhenshewasayoungchildlivinginMontana.AfterreceivingacrypticletterfromastrangernamedDr.Green,tellingherthatherfatherisaliveandlivinginLA,shedecidestogolookforhimherself.TogetherthetwosetoffonajourneytofindFernselusivedadamongthederelictcornersofthecity,whiledevelopinganotsoplatonicinterestforeachotheralongtheway.
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在法国生活后，西奥回到泰国，在他父亲的学校学习。住在泰国再次让他的环境焕然一新，但他确实交了一个朋友Ak。西奥在图书馆里找到一本欢迎他的书，作者签下了“Enchante”，法语的意思是“很高兴见到你”。西奥对这个迷人的家伙很好奇，并告诉了Ak这件事。Ak很快暴露了情况，四个家伙站出来声称他们是Enchante。西奥会成功猜出自称是他的4个家伙中谁是真的Enchante吗AfterlivinginFrance,TheocomesbacktoThailandtostudyathisfather'sschool.LivinginThailandonceagainmakeshissurroundingsnew,buthedoesmakeonefriend,Ak.Theofindsabookinthelibrarythatwelcomeshim,andthewritersignsEnchanté,whichmeans"nicetomeetyou"inFrench.TheobecomescuriousaboutwhothisEnchantéguyisandtellsAkaboutit.Akquicklyexposesthesituation,andfourguyscomeforwardclaimingthattheyareEnchanté.WillTheosuccessfullyguesswhoisthelegitEnchantéamongthe4guysclaimingtobehim?
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Apartisancomessecretlytotowntofindaboutwhathappenedtohislittlesonwhobarelyremembershim.Heishorrifiedwhenhefindsoutthathissonisraisedinacolaboratorsorphanage,broughtuptohatecommunistsandpartisans.Hedecidestotakehissontothefreedterritorywithhim,butwillhemanagetoescapethepolicecheckings?
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《废柴联盟》男主JoelMcHale将领衔FOX这部半小时工作地点单镜头喜剧。本剧由《穆迪一家》主创BobFisher与RobGreenberg，《全民追女王》编剧DanSterling共同打造。顾名思义，本剧将围绕着一群负责动物管制官的日常工作和生活展开，所有人都在复杂的工作中认清了一个事实：动物是简单的，而人不是。Joel将在剧中饰演“Frank”，一个固执、古怪的动物管制官，他或许没有上过大学，但仍然是房间里最博学的人。作为一名曾经的警员，Frank当时试图揭露自己部门的腐败事件缺最终导致他被解雇。这或许可以解释为什么他如此愤世嫉俗和脾气暴躁。在理解动物的方面，Frank展示了过人的能力；但面对同类…他或许不是那么精通。《疯狂前女友》“Heather”VellaLovell饰演“Emily”，一个招人喜欢、但偶尔也会有点迟钝尴尬的动物管制团队队长。尽管Emily偶尔在工作中不知所措，但她被自己的队员们深爱着。《喜当爷》“Ravi”RaviPatel饰演“AmitPatel”，也同样是团队中的一员；Amit是个不堪重负的居家型男人，承担的家庭责任超出了他的预期。他的搭档与他的生活方式截然不同，彼此可能来自不同的星球。
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Since 1977 - Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human.‘This year will be my year, it has to be!’ Since 1977 - Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’.Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 - Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 - to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel.Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.
