Galkin
搜索"Galkin" ，找到 以下影视作品
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盖·里奇
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杰拉德·巴特勒
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汤姆·威尔金森
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坦迪·牛顿
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马克·斯特朗
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伊德里斯·艾尔巴
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汤姆·哈迪
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卡瑞尔·罗登
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托比·凯贝尔
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杰里米·皮文
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卢达克里斯
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吉米·米斯特雷
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马特·金
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杰夫·贝尔
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德拉甘·米恰诺维奇
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迈克尔·瑞安
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侬索·阿诺斯
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杰玛·阿特登
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David
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Bark-Jones
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戴维·里昂
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布隆森·韦伯
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杰米·坎贝尔·鲍尔
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詹姆斯·格林尼
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乔安娜·培根
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约翰尼·哈里斯
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蒂凡妮·穆赫隆
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本·卡普兰
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本·霍姆伍德
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大卫·斯特恩
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奥利弗·迪姆斯戴尔
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布莱克·瑞特森
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莫恩博特斯
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劳伦斯·理查德森
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盖·里奇
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Johan
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莱尼（汤姆•威尔金森 Tom Wilkinson 饰）是伦敦黑帮的喽罗,他部下有个得力干将艾奇（马克•斯特朗 Mark Strong 饰）。莱尼已经做套逼小地痞头二（杰拉德•巴特勒 Gerard Butler 饰）还债。成果,头二凭仗恋人史黛拉（桑迪•牛顿 Thandie Newton 饰）供给的谍报,胜利掠夺,抢得巨款,还清清偿务,而且一发而弗成整理…… 莱尼打通议员想进军房地产市场。为了重金包管,他从俄罗斯黑帮喽罗尤里（卡瑞尔•罗登 Karel Roden 饰）手中借来了一副名画。但是,这幅名画却不知去处。于是,一群人卷入了这场寻觅名画的闹剧中,此中不乏有莱尼掉散多年的儿子,盗卖皮草的毛贼,打不逝世的保镖,同性恋的状师等等。最后,在名画变乱真相明白之时,黑帮最大密告者的身份也被揭露……
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In2013,anAustralianmanafewmonthsshyofturning60decidedtowalktheCaminodeSantiago–an800kmpilgrimagetrailacrossthetopofSpain.Hehadnoknownreligion,andabsolutelynoideawhyhefeltsodeeplycompelledtodothistorturouswalk.Butcompelled,hewas.Hecompletedthewalk,battlinga“triumvirateofpain”-akneethathelaterdiscoveredlackedanymeaningfulcartilage,ablisterthesightofwhichwouldmakeagrownmanweep,andshin-sorenessthatfeltlikehislowerlimbhadbeensplitwithamountainaxewieldedbyadementedtroll.ArrivingattheendoftheCamino,themajesticcathedralinSantiagodeCompostela,heexpectedanepiphany–ananswertothequestionhe’dbeenaskinghimselfeveryday:WhyamIdoingthis?Butnoanswercame.Sowhenhegothomehewroteabook,hopingtheanswerwouldrevealitselfinhisscribblings.TheresultwasTheWay,MyWay,ahumourousandself-deprecatingbookthatmanyconsiderthebestmemoireverwrittenonwalkingtheCamino.Thebookhasnowbeenmadeintoafilm,andit’sanextraordinaryaccountofamanatapivotalpointinhislife,searchingformeaningandfindinghimselfundergoingafundamentaltransformationsoprofoundthathenowdivideshislifeinto“BeforetheCamino”and“AftertheCamino.”It’sastoryparticulartooneman,yetofappealtoanyoneseekingagreatermeaningfromlife.
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Belgiandirector/screenwriterBertScholiersjumpsallovertheplaceinhisimaginativefeaturedebut.OnemomentweareinanAntwerppub,thenextwearewalkingacrossanexpanseofsnow,theninacosmicblackholeorchasingaflyingpineapple.ThisishowbestfriendsCharlieandHannah’sdrink-fuellednightpansoutafterswallowingamagicalsweetthatchangestheworldsurrealistically–alsoforeveryonearoundthem.Thelaconictwenty-somethingsrespondtotheseeventswithamusedamazement(whethertheywindupinapre-warbrothelorareblowntosmithereensbyanatombomb),allthewhilesaunteringalonganddiscussingthereallyimportantstuff:dealingwithexesandrelationships.LikeatrippingWoodyAllenorNoahBaumbach,Scholiersplayswithform,usinginventivevisualhumour,colourandblack-and-white,switchingaspectratiosandreferringtosilentmoviesandItaliangiallohorror.
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Ernesto lives life in a limbo of sorts, stuck somewhere between the promise of an exit visa and the fear of rotting away in Havana. But his smooth-talking schemes to secure papers are complicated when he crosses paths with Anita, and is faced with the only incentive to stay in Cuba—love. Screenwriter Alejandro Brugués makes his directorial debut with this poignant romance about the price of freedom, the power of sacrifice and the meaning of happiness.Alejandro Brugues was born in Buenos Aires, but he is a Cuban national. After studying Advertising, Psychology and Philosophy, he graduated with a Screenwriting major from the Escuela de San Antonio de los Banos. After taking his first steps as a screenwriter, he directed and wrote this first work, which received awards at the Cine en Construcción section of the Guadalajara Film Festival. Personal belongings is a love story that takes on the everyday reality of Cuba: Ernesto keeps his "personal belongings" in a briefcase, waiting for the moment when he will finally be able to leave the island; meanwhile Ana has decided to stay and not go with her parents, who fled on a raft. The two youngsters meet when he goes to the policlinic where she works, and although by falling in love they each find what they were looking for in each other, they also know they have decided on very different paths and at some point they’ll have to make a final choice.
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迈克尔·斯皮勒
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Whatcouldpossiblyhaveendedthetight-knitthirtyyearfriendshipofTullyandKate,our"FireflyLaneGirlsForever"?We'lllearntheanswerthisseason--butfirst--KategrappleswiththepainfulaftermathofJohnny'sill-fatedtriptoIraq,whileTullyfacesalawsuitafterwalkingawayfromhertalkshow,andmuststarthercareeroverfromthebottom.Thisleadsher...
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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Supernatural investigation of a case of sleepwalking
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内详
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IntheanomalouszoneofChernobyl,undertheprotectivesarcophagusofthefourthpowerunit,theGlobalKintekCorporationiscarryingoutillegalconstruction.Theseplansneedtobepreventedfromcreatingaspecialinterstatecommission,butrightduringthepressconferencetheheadofitsgroupofunknownterrorists.HesuccessfullyfoughtwiththeZone,butitseemsthatnowtheZoneitselfhascapturedhim.Aquarterofhisfriends-Everything,time,timeandnight-donotneedanythingelsebuttogoonajourneyagaintotrytosavePashaandcreateaglobalthreat.
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翁贝托·伦齐
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I am awestruck by this movie. Fast zombies that can use weapons, even guns, and are capable of intelligent thought. They plot a strategic offensive to take over the city, hitting the airport, then the TV stations and the power plant. If you love horror, gory, and violent movies and don't mind a little bad acting, then you will LOVE this movie. It is exciting and even a bit suspenseful. It starts out fast and hard and maintains a steady pace of mayhem and carnage. I can't believe more people haven't seen this film. I have yet to meet a horror movie buff that has seen this film before. It is a true gemstone of European horror and exploitation, definitely up to par with the classics of the genre such as Zombi 2, Demons, House by the Cemetery, etc. And it's even readily available uncut (92 minutes) on DVD from Anchor Bay (under the title Nightmare City) and on VHS under the title City of the Walking Dead. Super gory and violent, a must for fans of Italian grind house flicks.
