Althea·Ablan

Luminousbeings,creatureswiththeirowninternallight,enchantandastonishus.Anyonewhohasseenafireflyoraglow-wormcannothelpbutfallundertheirspell.Theseaatnightsparklesasmillionsofluminousplanktonrevealtheshapesofdolphinsinatrulymagicallightshow.Butwhydoanimalsproducelivinglight?Forcenturieswecouldonlymarvelatthebeautyandthemystery,butnowforthefirsttimewecanbegintorevealtheamazingtruthaboutlivinglights.Ithastakenthreecrucialtechnologicalbreakthroughs.Firstly,colourcamerashaveimproveddramatically;theyarenowover4 - 000timesmoresensitivethanadecadeago.Thecamerasaresosensitivetheyarerevealingstartlingdiscoveriesthatuntilnowwecouldnotsee.Secondly,scientistshaveenteredtheunknownworldoftheboundlessdeepopenoceanwiththehelpofanewgenerationofsubmersiblesandrobots.Thirdly,AmmoniteFilmshaveinventedandbuiltaseriesofuniquecamerasthatcancapturethefaintestephemeralglowofluminouslife.Bycombiningthesethreeinnovations,thisfilmshowscreaturesandbehavioursneverseenbefore.SirDavidAttenboroughisourguideasweventureintoanewhithertounseenworld.Bioluminescenceiseverywhere:inthesoil,onthelandandthroughouttheoceans.JoinSirDavidAttenboroughandateamoftheworld’sleadingscientistsanddeepseaexplorersonaquesttorevealthesecretsoflivinglights.

2012年9月19日，全世界数一数二的自行车展INTERBIKE在美国的拉斯维加斯开幕。而一场酝酿已久的风暴在拉斯维加斯著名酒店ThePalmsHotel附属的ThePearlTheatre影院爆发。在这个全世界山地车车迷的盛大日子，堪称自行车电影史上最大投资的电影《Wherethetrailends》在这里举办了首映礼！2012红牛山地史诗大片《WhereTheTrailEndsRedBull》拍摄历时2年，在新疆戈壁、在犹他北部、在阿根廷卡法亚特、在尼泊尔秘境Mustang这些销魂的地方奔腾着。这是一部讲述世界顶级自由山地自行车手的电影，这些雄心勃勃的山地自行车手们在世界各地挑战各种险峻的地形，挑战自己的极限和大自然。

FromLosAngelestoAmsterdamtoBerlinandback,PassingStrangetakesmusicaltheateronawholenewtrip.Fromsinger-songwriterandperformanceartistStewcomesPassingStrange,adaringnewmusicalthattakesyouonajourneyacrossboundariesofplace,identityandtheatricalconvention.Stew,apopularperformeratJoesPub,wascommissionedbyThePublicTheaterofNewYorktodevelopthisheartfeltandhilariousstoryofayoungbohemianwhochartsacoursefor“thereal”throughsex,drugsandrockandroll.Loadedwithsoulfullyricsandoverflowingwithpassion,theshowtakesusfromblack,middle-classAmericatoAmsterdam,Berlinandbeyondonajourneytowardspersonalandartisticauthenticity.

InseasonsixoftheBritishespionagethriller,theteamarepushedtotheirlimits,astherelationshipbetweenBritishandAmericansecuritydeterioratesandloyaltieschange.AdamandRosfightagainstanemergingterroristthreat,andadeadlyvirusthatcoulddecimateLondon.Thisseasonbreaksawayfromthecase-by-caseepisodicformat,withonedominantstorylinetyingalltheactiontogether.

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

AmusicaltheaterperformancereenactingBrokenwood’shistorygoeshorrificallyawrywhenthecomposeriselectrocutedonstage.Butwasitmurderorjustanunfortunateaccident?

Allthealphasinthepackssetasidetheirdifferencesforsomefriendlycompetition.Whenanunexpectedaccidentputsmanyoftheyakubd.ccpack’sstaralphawolvesoutofcommission,anewteamisassembledthatincludesforestfriendsnotinthepack.CanCoachHumphreyleadhisragtaggroupof"underdogs"tovictory?

ComposerNeilBrandexploreshowmusicaltheatreevolvedoverthelast100yearstobecometoday’sglobalphenomenon.

AllegradreamsofbeingpartoftheElevenO’Clockmusicaltheatercompanyandbecomingthestarof"FreakyFriday",aplaythatconsecratedhergrandmotheryearsago.GrandmotherCocóisalivinglegendintheworldofmusicalcomedyandhasacomplicatedrelationshipwithherdaughterCaterina,Allegra’smother.Allegra’slifeiscompletelyalteredwhenshefindsamysteriousbraceletinherhomethatsendsherbackto1994,theyearCaterinawasherageandtookherfirststepsinElevenO’ClockwhilelivingintheshadowofCocó,astar.atthepeakofhiscareer.Bylearningabouthermotherandgrandmother’spast,Allegrawillnotonlyhelphealthewoundsandbringthefamilytogether,butshewillalsodiscoverthatwhilethepastcannotbechanged,thereisalottolearnfromit.

第四序的故事所在主要设定在德州,故事时光可能会发生必定幅度的时光腾跃。Alicia Clark!Victor Strand跟Luciana Galvez都还在世。此中Luciana曾经消逝了很长一段时光（这是第三季Luciana半途分开后咱们第一次见到这个脚色）,她怎样归来!怎样找到Alicia跟Strand都回味无穷。Madison Clarke跟Nick也仍旧是中心脚色。除了这五位,其余归来脚色的身份本季都可能发生变更（有些不再是惯例脚色,有些大幅增加了戏份,有些索性不再涌现）。 　　除了Morgan之外,本季还新增了多个主要脚色： 　　Jenna Elfman表演生活者Naomi,在僵尸末日时期完整有才能径自生涯——现实上她曾经径自生涯很长时光了。当她碰到Madison及其家人后,天但是然地坚持着高度戒心。跟着剧情开展,不雅众会发明她为什么对人老是凉飕飕的,为什么与他人坚持间隔。即使如斯,她仍是与某些脚色（特殊是Alicia）发生了某种共识,这让她本人都感到惊奇。她偶然给人滑稽的感到,偶然又给人轻佻的感到。 　　Maggie Grace表演生活者Althea,她看起来就像是「酒囊饭袋」中的Maggie。她在僵尸末日时期的生活技巧,很洪流平上起源于僵尸危急暴发前积聚的教训。她携带了一些令人印象深入的兵器,猎奇心很强,并且擅长懂得他人,这给了她战术上风。Althea素来不信任「坐享其成之好处」,只信任本人的艰难斗争。她有一个坚决的目的,Strand好像对这个目的颇感兴致。 　　Evan Gamble表演多集脚色Ennis,一个缺点显著!表面纷乱的男子,他永久都只关怀本人。 　　Kevin Zegers表演一个奥秘脚色。